Die Kunst der Fuge
Johann Sebastian Bach Die Kunst der Fuge
Die Kunst der Fuge, BWV 1080
Musica Antiqua Köln :
Violin & Dir. - Reinhard Goebel
Violin & Viola - Margret Baumgartl
Viola - Karlheinz Steeb
Violoncello - Klaus-Dieter Brandt
Harpsichord - Léon Berben
Harpischord - Wolfgang Kostujak
In der Langen Foundation bei Düsseldorf, May 2006
Die Kunst der Fuge, BWV 1080
Emerson String Quartet :
Cello – David Finckel
Violin – Eugene Drucker ; Philip Setzer
1st Violin – Philip Setzer
2nd Violin – Eugene Drucker
Violin ( Viola ) – Lawrence Dutton
in American Academy of Arts and Letters, New York, 2003
1 Contrapunctus I
2 Contrapunctus II
3 Contrapunctus III
4 Contrapunctus IV
5 Contrapunctus V
6 Contrapunctus VI, A 4, In Stylo Francese
7 Contrapunctus VII, A 4, Per Augmentationem Et Diminutionem
8 Contrapunctus VIII, A 3
9 Contrapunctus IX, A 4, Alla Duodecima
10 Contrapunctus X, A 4, Alla Decima
11 Contrapunctus XI, A 4
12 Canon Per Augmentationem In Contrario Motu Contrapunctus XII, A 4
13 Rectus
14 Inversus
15 Canon Alla Ottava
16 Canon Alla Decima In Contrapuncto Alla Terza
17 Canon Alla Duodecima In Contrapuncto Alla Quinta Contrapunctus XIII, A3
18 Rectus
19 Inversus
20 Canon Per Augmentationem In Contrario Motu
21 Contrapunctus XIV (Fragment Of Quadruple Fugue)
22 Chorale BWV 668a: "Vor Deinen Thron Tret Ich Hiermit" ("Wenn Wir In Höchsten Nöten Sein")
Johann Sebastian Bach
Die Kunst der Fuge ( The Art of Fugue ) BWV 1080
Complete on Organ - Herbert Tachezi
Die Kunst der Fuge ( The Art of Fugue ), BWV 1080, is an incomplete masterpiece by Johann Sebastian Bach ( 1685 -1750 ). The work was most likely started at the beginning of the 1740s, if not earlier.
The first known surviving version, which contained 12 fugues and 2 canons, was copied by the composer in 1745. This manuscript has a slightly different title, added afterwards by his son-in-law Johann Christoph Altnickol : Die Kunst der Fuga.
Bach's second version was published in 1751 after his death. It contains 14 fugues and 4 canons.
"The governing idea of the work", as the Bach specialist Christoph Wolff put it, is "an exploration in depth of the contrapuntal possibilities inherent in a single musical subject."
• Wikipedia de : Die Kunst der Fuge
• Wikipedia en : The Art of Fugue
• Structure
0:00 - Contrapunctus I
3:12 - Contrapunctus II
6:24 - Contrapunctus III
9:20 - Contrapunctus IV
14:38 - Contrapunctus V
17:55 - Contrapunctus VI in Stylo Francese
22:04 - Contrapunctus VII per Augmentationem et Diminutionem
26:04 - Contrapunctus VIII
32:06 - Contrapunctus IX alla Duodecima
35:06 - Contrapunctus X alla Decima
39:30 - Contrapunctus XI Triple fugue
46:41 - Canone all'Ottava
49:35 - Canone alla Duodecima in Contrapunto alla Quinta
51:52 - Canone alla Decima in Contrapunto alla Terza
56:36 - Canone per Augmentationem in Contrario Motu
1:01:27 - Contrapunctus XIII rectus
1:03:59 - Contrapunctus XIII inversus
1:06:57 - Contrapunctus XII rectus
1:09:50 - Contrapunctus XII inversus
Johann Sebastian Bach
Die Kunst der Fuge ( The Art of Fugue ) BWV 1080
Grigory Sokolov
00:00 Contrapunctus 1
03:07 Contrapunctus 2
05:04 Contrapunctus 3
08:26 Contrapunctus 4
11:50 Contrapunctus 5
14:57 Contrapunctus 6 in Stylo Francese
18:28 Contrapunctus 7 per Augment et Diminut
21:19 Contrapunctus 8 a 3: Tripelfuge
28:05 Contrapunctus 9 alla Duodecima
30:41 Contrapunctus 10 alla Decima
35:15 Contrapunctus 11 a 4: Tripelfuge
43:03 Contrapunctus 12a
46:20 Contrapunctus 12b
49:30 Contrapunctus 13a Contrapunctus Inversus
51:59 Contrapunctus 13b
54:36 Contrapunctus 19 Unvollendet
01:07:11 Contrapunctus 14 per Augmentationem In Contrario: Motu
01:13:33 Contrapunctus 15 alla Ottava
01:17:37 Contrapunctus 16 alla Decima Contrapunto Alla: Terza
01:22:35 Contrapunctus 17 alla Duodecima In Contrapunto: Alla Quinta
01:30:45 Partita No 2 In C-Moll BWV 826: Sinfonia
01:35:42 Partita No 2 In C-Moll BWV 826: Allemande
01:39:02 Partita No 2 In C-Moll BWV 826: Courante
01:40:54 Partita No 2 In C-Moll BWV 826: Sarabande
01:45:17 Partita No 2 In C-Moll BWV 826: Rondeau
01:46:46 Partita No 2 In C-Moll BWV 826: Capriccio
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